The quintessence of contemporary urban thought relies on activity, bustle, and the progress. This manifests itself best in its most obvious and effective form of the road—an urban conduit designed to transport people from A to B. The city is overwhelmed with streets, and manytimes are they the most recognizable thing about an area. I observed a regular Sunday afternoon’s happenings between Guadaulupe and 8th and 9th streets.
The actors are most commonly the car, the biker, and the pedestrian—all of course linked by their means of transportation, and their contribution to the urban spirit. Their interaction, as did their personal narrative, diminished with respect to size and speed.
Myriad pedestrians used the streets and sidewalks, although rarely following traffic laws, to get to their destination. Some, however, were simply walking for leisure. A man was walking his girlfriend’s dog with little idea to where he was going--a local nomad who had recently moved downtown to be a part of the very urban dream which he helped sustain. He followed the encircling path of the nearby park and strolled past the city library twice before heading back home. The dog wouldn’t do its business, and so the man’s only response was to continue walking it with plastic bag in hand. The couple stopped and waited at a “do not walk” crossing signal as the ever-present traffic streamed through, and a pair of bikers unsuccessfully kept with the pace of traffic on their uphill struggle.
The street in an urban context has become more than a suggested path of travel; it goads the “en route” notion of urban doings on several levels. It is obvious where the pedestrian came from, what he is doing, and where he is off to next. The biker still retains a sense of personality, but for a brief period of time. The automobile, given its inhuman shape and speed, loses all effects of personal presence. These three means of movement co-exist at different tempos and scales under the prescribed direction of traffic to make Austin a rhythmically diverse city.









